Tag Archives: bear flames

[Archive 06.13.12]

1) Man Forever, “Surface Patterns,” Live on WFMU (Free Music Archive)
2) Bear Flames, “Sabbath”
3) Torus, “Jesus Igloo,” Basement Tapes
4) All of Them Witches, “That’s a Real Head Scratcher,” Breathers vs. Drivers 
5) Bees////, “WEARETHEBEES,” GA/KA
6) Oneida, “Story of O,” Rated O (Jagjaguwar)
7) Moonwood, “Where the Flowers Blossoms Red” The Strength of the Wolf is in the Pack and the Strength of the Wolf is in the Pack is in the Wolf
8) Wolfcow, “Hey Rides,” Mummies Call
9) Doom Tickler, “One of Us,’ Pleasure Cavern
10) Yamanataka/ Sonic Titan, “Reverse Crystal//Murder of a Spider” YY//ST
11) Doldrums, “Egypt” Egypt (Souterrain Transmissions)
12) Dusted, “(Into) The Atmosphere” Total Dust (Polyvinyl)
13) Odonis Odonis, “Busted Lip” Hollandaze (Fat Cat)
14) Doldrums, “I’m Lost in My Head,” Empire Sound (No Pain in Pop)
15) Berangere Maximin with Richard Pinhas, “Carnaval Cannibale” No One is an Island (Sub Rosa)
16) Cinnamon Aluminum, “New Couch,” We Ate the Wrong Crab Spirit (Level 4 Activated)

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[Visually Sound Sunday: Being Man Forever]

Man Forever, the solo project of Oneida drummer John Colpitts aka Kid Million, will stage a performance in Buffalo this Friday at the Polish Library.

This will not be a run-of-the-mill show, but rather a sound experience achieved through a collaborative drum performance.  Check the video of Colpitts explaining the concept and giving a run down of what to expect.

Also performing Friday night are Bone Vapor, Bear Flames and All of them Witches.  

 [vimeo:https://vimeo.com/41101654%5D

From Vimeo site:

Being Man Forever video

Man Forever will feature an ever-changing cast of collaborating musicians on tour. The “Being Man Forever” video is intended to familiarize them with the performance. The video was directed by Matt Marlin, a frequent Man Forever guest player and a member of the band Pterodactyl, and features Kid Millions, James McNew (Yo La Tengo), Shahin Motia (Ex Models, Oneida), Richard Hoffman (Sightings), Sarah Richardson and Valerie Uher (Creeping Nobodies).

Collaborators on tour will include members of Besnard Lakes, DD/MM/YY, Tortoise, Brokeback, Turn to Crime, White Gregg, Pelt, Cave, Terminal Lovers, Scarcity of Tanks, The Apes, and many more TBD. 

Man Forever recently released Pansophical Catarac via Thrill Jockey.


[Archive 03.29.12]

Due to the host being a dipshit and forgetting to hit ‘record’ at the start of last night’s show, there is no archived version of last night’s show. Pity, because it was a good one. Kind of surprised this hasn’t happened before, actually. Anyway, you can still check out last night’s tracklist below.

1) Martin Freeman, “Beastin,” Beastin
2) All of them Witches, “Toyotal Recall,” Breathers vs. Drivers
3) Bear Flames, “Judas/Heavy Outro”
4) Velvet Elvis, “Pretty Girls in Lace,” No Rules in the Wasteland (cae-sur-a)
5) Tuurd, “I Wish My Wife Was This Dirty,” I Wish My Wife Was This Dirty (Carbon)
6) AIDS Wolf, “Very Friendly (Weasel Walter Remix)”
7) Bees////, “MONSTERFLOWERCAT,” GA/KA
8) Dustin Wong, “Diagonally Talking Echo,” Dreams, Say, View, Create, Shadow Leads (Thrill Jockey)
9) Christian Marclay, Elliot Sharp, Vernon Reid, Melvin Gibbs, Lee Ranaldo, Mary Halverson “Graffitti Composition 2” Graffiti Composition
10) Deerhunter, “Weird Era,” Wierd Era Cont. (Kranky)
11) Odonis Odonis, “Ledged Up,” Hollandaze (Fat Cat)
12) Lotus Plaza, “Remember Our Days,” Lotus Plaza/Odonis Odonis Split 12″ (Fat Cat)
13) Settlers, “Sky Kings”
14) Women, “Untogether,” Public Strain (Jagjaguwar)
15) Grasshopper & The Crickets, “Sketches of Saturn,” The Orbit of Eternal Grace (Beggar’s Banquat)
16) Sonic Youth, “Anagram,” Perspective Musicales (SYR)
17) Off the International Radar, “Critical Mass,” OTIR 003 (Voof Records)
18) Location Ensemble, “Diversion # 3,” Live in Saratoga 11.12.11(Tape Drift)
19) Colin Stetson, “The End of Your Suffering,” Those Who Didn’t Run (Constellation)


[Preview 3.28.12: Loud Avant Rock-type Shit]

Albany's Location Ensemble

Looking over the potential playlist for tonight’s show and it seems like there is a lot of experimental rock-type stuff on it. At least stuff with guitars anyway. . .

Got some Location Ensemble, some Bear Flames, some All of Them Witches, some Velvet Elvis, some Bees////, some Odonis Odonis, some Martin Freeman, some AIDS Wolf, some Bird Day….maybe some Settlers and Yoma as well.

Toronto's Odonis Odonis

And that’s just the regional stuff….

Probably get to some Krautrock and No Wave, along with other goodies as well.

In other words, it will be a great fucking show, so tune in to 91.3 FM WBNY at 10 pm for another episode of The Upstate Soundscape.

Stream at WBNY.org.

Oh…we’ll also try to squeeze in a preview of Freeform Record Party at the Bend this Friday and the Colin Stetson show at Soundlab on Sunday. If we have time.


[Review: Bear Flames, ‘EP 1, EP2 & Rehearsal Demos]

Buffalo noise-rock group Bear Flames features a trio of the city’s musical mainstays including drummer Jim Abramson, guitarist Scott Valkwitch, and bassist T. Andrew Trump (and at one time also briefly included other notable artists Jax Deluca and KG Price). While the group had been on a lengthy hiatus with the three core members working on an array of outside projects (i.e. Poverty Hymns, Totem Pole, Downsampling, Tenet/Octet) they have recently reunited to perform live and work on new recordings. Before moving into this next phase, however, the group has (re)released two EPs and some demos that were recorded between 2006-2007 in a single collection.

This group of songs demonstrates that Bear Flames’s music is both fresh–despite being recorded over five years ago–and pleasantly familiar. Fans of any number of post-1970s musical genres will instantly hear a number of recognizable and appealing sonic elements, but will also be exposed to a number of different and interesting musical ideas (specifically the ideas of unconventional song structures that are prevalent throughout the music heard here).

The debt that they owe to the New York bands that populated the No Wave movement of the late 1970s is apparent from the first note to the last, right down to the cover of DNA’s “Blonde Redhead.” Songs like “Radio (Friendly)” and “Sabbath” are built around simple, chiming chords rife with slightly unusual intervallic structure. The chord progressions tend towards the minimalist, exploring the same trance-like grooving that No Wave experimented with (think Teenage Jesus & the Jerks, Theoretical Girls, etc., but slightly less abrasive and pretentiously ‘arty’). And of course, there is a heavy emphasis on ‘noise’, i.e. dissonant soundscapes that tend to evoke moods concurrent with the music around them; discomfort, paranoia, impending doom, and destruction all come to mind when listening to these barrages of amplified lightning.

The band possesses a powerful rhythm section that reminds me largely of Nomeansno; a style of playing by Trump that is both relatively simple and grounded yet sufficiently in the place as the ‘lead’ instrument (check out “Future of the House” for a good example). Abramson, meanwhile, is able to shift from absolute bare-boned to frenetically charged patterns at the drop of a hat and right back just as easily, as he does on “Bad Knee.” This leaves Valkwitch (who also handles FX duties) ample room to swing between the extremes of caustic atonality and feathery, chiming chords. The result is a band that is orchestrated in a very tempered way, where no one member overshadows another.

There are a number of standout tracks here, such as a “Social Security”– which starts out as a mock-up of what disco may have sounded like if acid was the drug of choice for the time instead of cocaine — with a wonderfully dissonant loop that seems to suggest running for your life while you dance. The song erupts in the middle, breaks apart, and regroups into a much more melodious but no less unnerving second half before once again falling apart.

Another great track is “Future of the House” where sections of hard-rock riffage alternate with more subdued sections of an almost dublike nature with the rhythmic entanglement of tremolo-bass and syncopated hi-hat. “IFSS” starts off with a tremendously flighty, off-kilter 3/4 strut before metamorphosing into a jumpy, even cheery 4/4 groove and finally combining the two in a beautiful moment of fusion before finally settling back into the original time.

This mixture of grooves is one of the defining features of the group, where they build up only to destroy and then rebuild often using one or more elements from the original construct. See “K/K” where the minimalist bass travels from two disparate sections, staying more or less the same while everything else around it shifts. This kind of trick shows up in a number of songs, and is thrilling each time.

To put it simply, there is a lot of really interesting, exciting music to be had here, especially the tracks recorded in 2007. Highly recommended for anyone into No Wave, post-punk, plain old punk, alternative, etc. Well worth your time.

__________________________________________________________

Review by Liam McManus 

[Archive 03.21.22]

1) Daniel Padden, “Dancer’s Reverse,” Ship Chop (Dekorder)
2) Incantation, “On the Wing of a Condor” On the Wing of a Condor (Beggar’s Banquet)  
3) M. Nageswara Rao, “Telisi Rama Chintanato,” The Ten Graces PLayed on the Vina (Nonesuch)
4) Cluster & Eno, “One,” Cluster & Eno (Sky)
5) Mercury Rev, “Endlessly-Instrumental,” Delta Sun Bottle Neck Stomp Single (V2)
6) Gary Numan, “Photograph,” This Wreckage (Beggar’s Banquet)
7) Ducktails, “Deck Observatory,” Landscapes (Olde English Spelling Bee)
9) Dimension 5, “Echo,” The Electronic Record for Children (Mississippi/Change)
10) Jacob Gotlib, “Scape After Louise — I. Dusk (Squaring the Circle)”
11) University of Toronto Electronic Music Studio, “Summer Idyl,” Electronic Music 
12) Aaron Charles, “KYD021084”
13) Claymation, “Oregons”
14) Aidan Baker and Tim Hecker, “Hymn to the Idea of Night,” Fantasma Parastasie (Alien8)
15) Pregnant Spore, “Mi Manchi Cosi Tanto de Farmi Male”
16) Cinncinatus C, “Autumn w Alyssa”
17) Bear Flames, “Bad Knee”
18) Dimension 5, “Goodbye,” The Electronic Record for Children (Mississippi/Change)


[Archive 02.15.12.]

1) Our Brother the Native, “Falconiformes,” Earth and Claw (Fat Cat)
2) Mercury Rev, “Meth of a Rockett’s Kick,” Boces (Beggar’s Banquet)
3) Thee Silver Mt. Zion, “13 Blues for Thirteen Moons,” 13 Blues for Thirteen Moons (Constellation)
4) Bear Flames, “Social Security #,” EP1, EP2, Old Rehearsals
5) Lucky Dragons, “Mercy,” Dark Falcon (555 Recordings)
6) Dustin Wong, “Space Tunnel Graffiti,” Dreams Say, View, Create, Shadow Leads (Thrill Jockey)
7) Martin Freeman, “Beastin,” Beastin
8) Tony Conrad with Faust, “The Death of the Composer was in 1962,” Outside the Dream Syndicate 
9) Andew Deutsch, “Rain Raga (Dedicated to Jessie Shefrin),” Out of Nowhere: Electro-Acoustic music from the Upstate Fringe
10) War on Drugs, “Don’t Fear the Ghost,” Coming to the City Single (Secretly Canadian)
11) Odonis Odonis, “Seedgazer,” Hollandaze (Fat Cat)
12) Aidan Baker, “Beyond the Great Wall,” The Spectrum of Distraction 
13) Malaria Control,” Bike Ride by the Water,” Jack Topht/Malaria Control Split Cassette 
14) Grab Ass Cowboys, “Turpentine Wig”
15) Ay Fast, “Rotating Stairwell Explained,” Ay Fast/Collapsed Arc (Bananas Eat Girl)