Tag Archives: output:noise

[Archive 12.28.11]

1) Output:NOISE, “Pica,” A Soundtrack to the DSM-IV (Output:NOISE)
2) Output:NOISE, “Catatonic Schizophrenia,” A Soundtrack to the DSM-IV (Output:NOISE)
3) Diamond Terrifier, “Porcupine Quills” Live on WKCR NY
4) Ay Fast, “Eat the Camera,” Always Crying (Schematic)
5) Ay Fast, “Yes Please (Vaetxh Version),” Always Crying (Schematic)
6) Ay Fast, “Extended Sickdays,” Always Crying (Schematic)
7) [n.], “Costae Spruriae,”
8) [n.], “[[]], Ein Klagelied fur 3f (cae-sur-a)
9) Chapels, “Stumbling,” Glossy Eyes Vol. 1 (Bad Drone Media)
10) The Love Story, “U$ Drone”
11) Thoughts on Air, “Slow On (Glow On Ike Moldfield Remix)”

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[2011 in Review: Output:NOISE, ‘A Soundtrack to the DSM-IV’]

The Output:NOISE crew has never shied away from the application of conceptual structures to guide their improvisational-based performances and recordings. Their website explains that very often they will “arbitrarily divide the participating musicians into groups of three or four, giving each group a 15-minute time slot in which to develop a cohesive, synergic and compelling set.” In the past, this practice has often served as the defining characteristic of their shapeless– but somehow recognizable–sound.

The Upstate NY collective has taken this practice to a new level with their first professionally produced physical release, A Soundtrack to the DSM-IV. The DSM-IV of course is the Diagnostic and Statistical Manual of Mental Disorders and this soundtrack is a sonic interpretation of the ten disorders found on the DSM-IV. Those disorders—which also make up the song titles–include “Delirium,” “Narcolepsy,” “Catatonic Schizophrenia,” “Depression,” and (my personal favorite) “Pica,” whereby someone is compelled to eat non-edible objects.

Output:NOISE chief Jeremy Dziedzic explains that “Our aim in approaching this concept was to not only produce an environment that challenged our performers but, by having the performers put themselves in a mindset necessary to generate a convincing interpretation, give them a better understanding of the disorders that millions of people struggle with daily.”

A daunting task no doubt, but one that certainly produced interesting—although sometimes difficult—music to listen to. Numerous musical styles, including drone, noise, neo-classical, and others collide within the group’s larger improvisational structure creating a disorienting effect which does seem to make it easier for the “sane” listener to step outside oneself and take a cautions step closer to the insanity depicted within these recordings.

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Review by Taylor Waite


[Archive 12.7.11]

1) Leather Tongue, “Negative Dialectics”
2) Occult Modem Settings, “Questing,” Compression Artifacts
3) War on Drugs, “Snake Tongues,” Slave Ambient Cassette (Mirror Universe/Secretly Canadian)
4) Unknown, “Found on an Elevator 205 W. 57 (excerpt)
5) Daniel Padden, “1,” Ship Chop (Dekorder)
6) Sculpture, “Data Corporation,” Toad Blinker (Dekorder)
7) Borful Tang, “Tides of Land,” Tides of Land (Gigante)
8) Chapels, “I Have Tried, part 1,” I Have Tried (House of Alchemy)
9) Output:NOISE, “Depression,” A Soundtrack to the DSM-IV (Output:NOISE)
10) Eli Keszler, “EK Pan A MA 081911,” Cold Pin  (Pan)
11) Katastrophic, “Deep Sea Breathing”
12) All of Them Witches, “Somewhere, Sometime Just After Midnight,” Breathers vs. Drivers


[archive 11.2.11]

1) Ensemble Klang Featuring Keir Neuringer, “Narayana’s Cows,” Cows, Chords & Combinations- Tom Johnson (CDBY)
2) Afghanistan, “Cicada Song,” And Bide Your Time
3) Steve Swell, “City Life,” Planet Dream (Clean Feed)
4) Albert Ayler, “Spirits,” Witches and Devils (Arista)
5) Michael McNeill Trio, “Nobody’s Waltz,” Passageways
6) “Delirium,” A Soundtrack to the DSM-IV (Output:NOISE)
7) The Vacant Lots, “Revolution,” Hypnotized  (Mexican Summer)
8) Joe Frank vs. Carcinogenic Corpse, “Crime Talk (Out of Time on the Loneliest Planet),” Pledge Drive Summer 2000/International Mind Magick (Live Mix)
9) Peonies, “smoke for tomorrow,” Peonies (House of Alchemy)
10) Borful Tang, “Herd and Unherd,” Herd and Unherd (Gigante Sound)
11) Douglas Seidel, “Next Door”
12) Zs, The Hard EP (Three.One.G)


[archive: Halloween Special, 10.26.11]

1) Ric Royer and G Lucas Crane, “Welcome to the Dark Cabinet,” Welcome to the Dark Cabinet (ehse records)
2) Ennio Morricone, “The Bird with the Crystal Plumage,” The Bird with the Crystal Plumage (CERBERUS)
2) Tangerine Dream, “Main Title,” Sorcerer OST (MCA)
3) Goblin, “Suspiria-Orginale,” Suspiria OST (Cinevox Records)
4) Hector Berlioz, “Symphonie Fantastique,” The Shining OST (Warner Bros.)
5) Howard Shore, “Welcome to Videodrome,” Videodrome OST (Varese Sarabande)
6) Mike Oldfield, “Part One,” Tubular Bells (Virgin)
7) David Lynch, “Crazy Clown Time,” (Sunday Best)

8) Sleep Terror Disorder,” Soundtrack to the DSM-IV (Output:NOISE)
9) Lee Rosevere, “Trick or Treat”/Ric Royer and G Lucas Crane, “Man with One Eye and a Hook for a Hand”/Ghostly Sounds, “The Ghosts from Outer Space” (live mix)
10) Mater Suspiria Vision, “Das Haus der Hexe,” Inverted Triangle (Clan Destine/Phantasma Disques)
11) Salem, “Killing Time,” King Knight (IAM Sound)
12) Atlas Sound, “Ghost Story,” Let the Blind Lead Those Who can See But Cannot Feel (Kranky)
13) Moon Duo, “Killing Time,” Killing Time EP (Sacred Bones)
14) The Harmonites, “Ghost Rock,” Resonance
15) Ariel Pink’s Haunted Graffiti, “Fright Night (Nevermore),” Before Today (4AD)
16) Radiohead, “Give up the Ghost (Brokenchord RMX),” TKOL Remixes 1234567 (XL Recordings)
17) Wired We Were, “Burial Train”